Finally got around to seeing 13 Assassins—couldn’t face any of the new film releases this week—and I can’t tell you how soothing it is. It’s a reverent throwback to the great 1950s-’60s Japanese samurai films, and it’s done in neutral shades of gray and white and tan and black. Other than the copious blood spray, of course…
So if you’re interested in what a director does, or doesn’t do, go see Pirates of the Caribbean: On Stranger Tides. It’s a great film education watching Rob Marshall, the director replacing Gore Verbinski, wreck the Pirates franchise in one…
Bridesmaids is apparently a big deal. If we don’t all go see it, there will never be another movie made about women again. Or something like that.
Thor‘s not good. It’s so ungood, in fact, it caused New York Times film critic A.O. Scott to consider throwing himself under a bus. It seems Scott despaired over the realization that “Thor is an example of the programmed triumph…
Insidious is a rotten movie getting unaccountably good reviews in some quarters. For instance, Owen Gleiberman of Entertainment Weekly says: “Insidious is a haunted-house movie that has some of the most shivery and indelible images I’ve seen in any horror…
Rango is this crazy animated movie about a lizard in a state of existential crisis. His tale is narrated in song by a mariachi band comprised of four owls, and they sing about his imminent, heroic death throughout. Rango keeps…
Unknown isn’t good, but that doesn’t matter these days. Movies are so rotten lately we’ve all lowered our standards out of sheer desperation. The new standard for movie-going is, “Can I risk it? Will I hate it so much it’ll…