A New Leaf, a 1971 screwball comedy written and directed by Elaine May, is a great genre film made by a women. You know how many great genre films were ever made by women? Well, lessee, there was…oh, how about…no, that one was a genre film made by a woman, but it was rotten…hmmm…
Given enough time you’ll come up with something (Ida Lupino, The Hitch-Hiker), but it isn’t really worth the effort. Too depressing.
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I waited to write about Django Unchained because I couldn’t figure out how to account for its maddening effects. But they’ve gotten more and more maddening over time, to the point that I found myself in a restaurant the other…
First things first: Roger Deakins is the god of cinematographers. As you know, he’s the Coen Brothers’ long-time DP—your cue to salute—and he’s on the job here in Skyfall, the latest Bond movie. Another Coen film crew member, Dennis Gassner—salute,…
In this festive season of the year when cheery death-related imagery like skeletons and ghosts and zombies cluster all around us, it seems fitting that we celebrate someone who really liked death and tried his best to show us how…
Seven Psychopaths is one of those movies that’s too cute by half. If I hadn’t been so fried, I’d have paid more heed to the warning signs—the arch title, the “quirky” poster images, the fact that Tom Waits is…
As soon as The Master was released, every day it was, “Ja see it? Ja see it yet? Whadja think? Ya gotta go see it.” Nag, nag, nag. So to give writer-director Paul Thomas Anderson credit, he’s got crass…
I was feeling pretty low, so I watched Takeshi Miike’s Hara-kiri: Death of a Samurai. A movie about ritual self-disembowelment was a fitting end to the week I had. So I was more than happy to sit there drinking in…
“The Campaign” is a different kettle of fish puke. There’s a weirdly unfunny flatness permeating the entire film: flat writing, flat jokes, flat directing, and above all, Zach Galifianakis’ non-presence, a flatness so flat it’s like convex comedy…
I can’t do Best Film lists. Somebody recently asked me to—a former student—it was sweet of him and all—but I can’t. They’re so embarrassing. You no sooner put down a title than you feel like an idiot—really, this is the…
Dear Reader,
This whole review’s a spoiler, so if you’re not prepared to handle an all-spoiler review, take a hike. (You know the drill.)
Yours in despair,
Eileen J.
The Amazing Spiderman’s a hit, and I just saw it, and I can’t remember it. Which is a GOOD thing, in its way. That’s what loud CGI nonsense is FOR.
Peter Greenaway outdoes his own imbecility by “proving” to art critics that 17th Century Rembrandt painting foretold the appearance of Dutch immigrant-bashing Teabagger Geert Wilders
“Why are you sending me Charlie Manson quotes, Ames? Are you threatening me?”
I didn’t have the heart to tell him I was quoting Mitt Romney’s own personal Yoda or that the thought of an upgraded version of Joseph Smith taking control of the White House should scare the shit out of secular humanists and liberal elites, who, so far, have dismissed Romney’s foundational ideology, treating it with parody or scorn, if at all.
By now I’m assuming you’ve seen Prometheus, and we can talk freely. If not, beat it, because I’m telling all, plot-wise. Prometheus starts out gangbusters, so beautiful and ambitious that you have to wonder how Ridley Scott is going to…
Lotta critics reviewing Men in Black 3 have wondered what was the necessity for it. Who was really craving Men in Black 3? As garrulous A.O Scott puts it, “Can you think of a new movie with less reason for…
Somebody stick a fork in Tim Burton; he’s done. Dark Shadows proves it’s about time he retired and took up a hobby. I’d suggest still photography. He’d be terrific at that—he still has a great eye for his personal fetishes,…
If you’re one of the few dozen people in the world who hasn’t seen The Avengers yet, I’ll tell you the best way to take it in. Hit a matinee screening in a theater filled with kids—especially very small roundheaded…
Don’t know if you’ve ever seen a mumblecore film. Probably not, if only because the term “mumblecore” is so twee and horrible, it would instinctively repel you. It’s a millennial American film development, around for quite a while now but…
Today’s burning moral question: Is it bad to enjoy watching a big-screen entertainment featuring teenagers hunting each other for sport? Answer: Oh, I dunno. Points to be made on both sides. How big is the screen? Bigger ain’t necessarily better…
I got ahold of the script for Quentin Tarantino’s Django Unchained, and was mildly smug about it till I found out everyone’s read it already. Apparently it got leaked ages ago. Nobody tells me anything. So what’s everyone saying about…
Film critic J. Hoberman got axed from the Village Voice today, and old-school cineastes are rending their garments in grief and crying “Oh the humanity!” Personally, I hate J. Hoberman and the film criticism he rode in on, and I…
While critics go through the farce of compiling their Best Films of 2011 lists, I’m working on my suicide note. Here’s the latest draft:
So is Sherlock Holmes 2: Game of Shadows a slovenly, slapped-together mess of a big-budget Hollywood sequel, like you might’ve heard? Oh, yeah! You bet it is! One of the slovenliest! Now ask me if I care!
Hugo is an overstuffed candy-box film of the type that some people really, really like. And if you add “A Martin Scorsese Confection” to the tag, everybody’s over the moon with how unexpected it is, this gift to mankind that’s…
You may have heard positive things about Margin Call, a new bankster suspense drama loosely based on the 2008 collapse of Lehman Brothers. I just saw the film, and my advice: Don’t waste your time and cash, not unless you want…