A New Leaf, a 1971 screwball comedy written and directed by Elaine May, is a great genre film made by a women. You know how many great genre films were ever made by women? Well, lessee, there was…oh, how about…no, that one was a genre film made by a woman, but it was rotten…hmmm…
Given enough time you’ll come up with something (Ida Lupino, The Hitch-Hiker), but it isn’t really worth the effort. Too depressing.
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I waited to write about Django Unchained because I couldn’t figure out how to account for its maddening effects. But they’ve gotten more and more maddening over time, to the point that I found myself in a restaurant the other…
First things first: Roger Deakins is the god of cinematographers. As you know, he’s the Coen Brothers’ long-time DP—your cue to salute—and he’s on the job here in Skyfall, the latest Bond movie. Another Coen film crew member, Dennis Gassner—salute,…
In this festive season of the year when cheery death-related imagery like skeletons and ghosts and zombies cluster all around us, it seems fitting that we celebrate someone who really liked death and tried his best to show us how…
Seven Psychopaths is one of those movies that’s too cute by half. If I hadn’t been so fried, I’d have paid more heed to the warning signs—the arch title, the “quirky” poster images, the fact that Tom Waits is…
As soon as The Master was released, every day it was, “Ja see it? Ja see it yet? Whadja think? Ya gotta go see it.” Nag, nag, nag. So to give writer-director Paul Thomas Anderson credit, he’s got crass…
I was feeling pretty low, so I watched Takeshi Miike’s Hara-kiri: Death of a Samurai. A movie about ritual self-disembowelment was a fitting end to the week I had. So I was more than happy to sit there drinking in…