By now the Coen brothers are so great at filmmaking they’re actually scary. They started out twenty-five years ago with massive cinematic talent and the finest sensibilities in the modern world, and they’ve worked and worked till now they can…
Capitalism: A Love Story is a fantastic slap-upside-the-head film, just what we need right now. It’s been playing a week in New York and Los Angeles, and just opened wide. The reviews are “mixed.” Critics say it’s just Michael Moore…
If you think our culture is totally, horribly, permanently screwed up, go see The Informant! Because it’s a gallows-humor study of how/why we are totally, horribly, permanently screwed up, so it gives you an opportunity to consider the question. But…
Extract is so bad its rottenness becomes a source of fascination, which is a good thing, because there’s nothing else to sustain your interest while the 89 minute dud drags by. It’s all Mike Judge’s fault, that much is clear….
So I finally saw Inglourious Basterds the other night. I’ll admit, I was more than ready to avoid Tarantino’s new film, even after reading Eileen’s enticing review. The film sounded wrong on every level–what could possibly be good about another…
When I heard Quentin Tarantino was making a Dirty Dozen-like action film set in WWII, I groaned in spirit. With all the amazing eras and dazzling historical figures and slaughterhouse horrors not yet represented in cinema, we’re going to visit…
There are a couple of strokes of genius in District 9 that renew one’s hopes for the future of genre film. One is casting Sharlto Copley, who’s not a trained actor, as protagonist Wikus van der Merwe, a dweeby South…