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Johnny Depp

It’s Jesse James’ birthday today, September 5th. I mean the famous “frontier outlaw,” sometimes referred to as “America’s Robin Hood,” but actually an obnoxious Missouri sumbitch still venerated and romanticized by an addled public. In movies he tends to get played by pretty studs like Brad Pitt and Colin Ferrell and Rob Lowe and Tyrone Power. There’s an occasional “revisionist” attempt to come to grips with James’ less lovable qualities, such as Robert Duvall’s fake-pious looney in The Great Northfield Minnesota Raid, or Brad Pitt’s fame-swollen paranoiac in  The Assassination of Jesse James by the Coward Robert Ford. But it’s still Brad Pitt, for God’s sake, all gleaming and starry, and you can’t hide the hero-worship by claiming to do a serious critique of celebrity culture 19th century-style.

We generally get the Western-hero version of Jesse James as bold bandit and manly martyr, on accounta it’d be awkward to focus too much attention on the true-life particulars of secession-mad Border State Jesse James, the virulent racist Jesse James trained up in terror tactics by Confederate heroes William Quantrill and “Bloody Bill” Anderson, the Jesse James whose gang wore Ku Klux Klan hoods during one train robbery.

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September 5th, 2011 | Comments (44)

The Pirates Franchise Dies of Boredom

So if you’re interested in what a director does, or doesn’t do, go see Pirates of the Caribbean: On Stranger Tides. It’s a great film education watching Rob Marshall, the director replacing Gore Verbinski, wreck the Pirates franchise in one…

May 21st, 2011 | Comments (30)

Rango: Cartoon Philosophy and Death

Rango is this crazy animated movie about a lizard in a state of existential crisis. His tale is narrated in song by a mariachi band comprised of four owls, and they sing about his imminent, heroic death throughout. Rango keeps…

March 5th, 2011 | Comments (24)

Tim Burton’s Alice: You Don’t Slay?

Burton’s Alice in Wonderland is messed up in some ways—we’ll get to that in a second—but it’s seriously beautiful at intervals that command attention. There’s a war theme in it that’s pursued with surprising gravity. Example: the Mad Hatter (Johnny…

March 7th, 2010 | Comments (41)

Public Enemies: Michael Mann’s Big Sad

Public Enemies is an oddly soft, slow, elegiac film, which isn’t necessarily a bad thing. Some of my best friends are elegiac films. But it seems a regrettable approach to its main subject, John Dillinger, if you know anything at…

July 7th, 2009 | Comments (14)

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