“The Campaign” is a different kettle of fish puke. There’s a weirdly unfunny flatness permeating the entire film: flat writing, flat jokes, flat directing, and above all, Zach Galifianakis’ non-presence, a flatness so flat it’s like convex comedy…
I can’t do Best Film lists. Somebody recently asked me to—a former student—it was sweet of him and all—but I can’t. They’re so embarrassing. You no sooner put down a title than you feel like an idiot—really, this is the…
Dear Reader,
This whole review’s a spoiler, so if you’re not prepared to handle an all-spoiler review, take a hike. (You know the drill.)
Yours in despair,
Eileen J.
The Amazing Spiderman’s a hit, and I just saw it, and I can’t remember it. Which is a GOOD thing, in its way. That’s what loud CGI nonsense is FOR.
Peter Greenaway outdoes his own imbecility by “proving” to art critics that 17th Century Rembrandt painting foretold the appearance of Dutch immigrant-bashing Teabagger Geert Wilders
“Why are you sending me Charlie Manson quotes, Ames? Are you threatening me?”
I didn’t have the heart to tell him I was quoting Mitt Romney’s own personal Yoda or that the thought of an upgraded version of Joseph Smith taking control of the White House should scare the shit out of secular humanists and liberal elites, who, so far, have dismissed Romney’s foundational ideology, treating it with parody or scorn, if at all.
By now I’m assuming you’ve seen Prometheus, and we can talk freely. If not, beat it, because I’m telling all, plot-wise. Prometheus starts out gangbusters, so beautiful and ambitious that you have to wonder how Ridley Scott is going to…